Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
| Directing | Antoine Fuqua | Director |
| Writing | Michael C. Martin | Writer |
| Production | Elie Cohn | Producer |
| Production | Basil Iwanyk | Producer |
| Production | John Langley | Producer |
| Production | John Thompson | Producer |
| Production | Joe Napolitano | Producer |
| Production | Jeanne O'Brien-Ebiri | Producer |
| Production | Boaz Davidson | Executive Producer |
| Production | Danny Dimbort | Executive Producer |
| Production | Antoine Fuqua | Executive Producer |
| Production | Robert Greenhut | Executive Producer |
| Production | Jesse Kennedy | Executive Producer |
| Production | Avi Lerner | Executive Producer |
| Production | Kat Samick | Producer |
| Production | Trevor Short | Executive Producer |
| Production | Mary Viola | Executive Producer |
| Production | Marco Weber | Executive Producer |
| Sound | Marcelo Zarvos | Original Music Composer |
| Camera | Patrick Murguia | Director of Photography |
| Editing | Barbara Tulliver | Editor |
| Production | Suzanne Crowley | Casting |
| Production | Mary Vernieu | Casting |
| Costume & Make-Up | Juliet Polcsa | Costume Design |
| Art | Thérèse DePrez | Production Design |
| Art | Mila Khalevich | Set Decoration |
| Costume & Make-Up | Matiki Anoff | Makeup Department Head |
| Sound | Maurice Schell | Sound Designer |
| Costume & Make-Up | Sunday Englis | Makeup Artist |
| Costume & Make-Up | Nathan J. Busch II | Hairstylist |
| Costume & Make-Up | Carmen S. Riviera | Hairstylist |
| Production | Roderick Alleyne | Production Supervisor |
| Art | Lauren Buckley | Art Department Coordinator |
| Art | Peter Baran | Art Direction |
| Art | Richard Hebrank | Construction Coordinator |
| Art | Peter Bundrick | Construction Foreman |
| Art | Peter DeCurtis | Leadman |
| Crew | Alan J. Lawson | Scenic Artist |
| Crew | Phillip Schneider | Scenic Artist |
| Crew | Patricia Sprott | Scenic Artist |
| Sound | Maurice Schell | Supervising Sound Editor |
| Sound | Mariusz Glabinski | Sound Effects Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Jay Peck | Foley |
| Visual Effects | Glenn Allen | Visual Effects Producer |
| Visual Effects | Richard Friedlander | Visual Effects Producer |
| Visual Effects | Justin Ball | Visual Effects Supervisor |
| Crew | John Cenatiempo | Stunt Coordinator |
| Camera | Patrick Murguia | Camera Operator |
| Camera | Mike O'Shea Jr. | Camera Operator |
| Camera | Phillip V. Caruso | Still Photographer |
| Camera | Mike O'Shea Jr. | Steadicam Operator |
| Lighting | Jay Fortune | Gaffer |
| Costume & Make-Up | Debbe DuPerrieu | Set Costumer |
| Costume & Make-Up | Shawnique Hill | Set Costumer |
| Editing | Nicholas Hasson | Digital Intermediate |
| Editing | Devin Sterling | Digital Intermediate |
| Sound | Nancy Allen | Music Editor |
| Sound | John M. Davis | Music Editor |
| Sound | Jennifer Dunnington | Music Editor |
| Sound | Dan Evans Farkas | Music Editor |
| Sound | Eric J. Paul | Music Editor |
| Directing | Ed Duranté | Script Supervisor |
| Directing | Deirdre Horgan | Script Supervisor |
| Production | Nicholas Bernstein | Location Manager |
| Sound | Richard King | Sound Effects Editor |
| Crew | Connie Brink | Special Effects Coordinator |
| Lighting | Thomas Dolan | Rigging Gaffer |
| Lighting | Billy Patsos | Rigging Grip |
| Lighting | Ralph Rea | Rigging Grip |
| Lighting | Brian McClean | Best Boy Electric |
| Production | Lindsay Graham | Casting Associate |
| Production | Jessica Kelly | Casting Associate |
| Sound | Laura Civiello | Dialogue Editor |
| Sound | Ruth Hernandez | ADR Editor |
| Sound | Bret Johnson | Sound Recordist |
